Welcome to Music Friday when we highlight new tunes with jewelry, gemstones or precious metals in the title or lyrics. In her 2025 pop single “Gold’s Gone,” 15-year-old British singer-songwriter Freya Skye delivers a poignant meditation on the passage of time and the bittersweet ache of growing up.



With the recurring lyric “running till the gold’s gone,” Skye uses gold as a shimmering metaphor for life’s most cherished moments — childhood memories, innocent joys and the feeling of time suspended.

The song opens in a nostalgic haze, as Skye recounts scenes of basement board games and swapping bracelets in the back of a car. But that dreamy simplicity soon gives way to emotional urgency. “I just wanna hold on / I’m scared of losing the moment,” she sings, echoing a universal truth — that even as we’re living in the present, we’re already mourning its passing.

The phrase “running till the gold’s gone” becomes a central motif, symbolizing the desire to outrun change and cling to what feels golden and safe. Freya captures the moment when adolescence turns the corner into something more complex and uncertain.

As the seasons shift, so does her self-image. She sings, “my heart is still the same, but in the mirror things have changed.” The gold, in this context, is not just youth, but the clarity, security and wonder that come with it.

Rising rapidly in both the music and entertainment worlds, Skye made her international debut representing the UK at Junior Eurovision 2022 with “Lose My Head,” earning the top public vote and a fifth-place finish overall.

Since then, she’s signed with Hollywood Records and Disney Music Publishing, starred as Nova in Zombies 4: Dawn of the Vampires and joined the upcoming "Descendants/Zombies: Worlds Collide" arena tour.

With a voice that’s both powerful and intimate, and lyrics that resonate well beyond her years, Skye is quickly emerging as one of pop’s most promising young voices. “Gold’s Gone” captures the essence of her artistry — honest, reflective and deeply relatable.

Please check out the official video of Skye performing "Gold's Gone." The lyrics are below if you'd like to sing along…

"Gold's Gone"
Written by Michelle Zarlenga, Annie Schindel and Lucky West. Performed by Freya Skye.

Back of your mom’s car trading bracelets
Playing board games in the basement
I could swear that it was simple, all my problems felt so little
What a daydream

If I could slow it down
Would my feet touch the ground?

I just wanna hold on
I’m scared of losing the moment
Running til the gold’s gone
The seasons change and I know it
I feel the time is slipping
And I already miss it
While I’m
Still holding light in my hands

I just wanna hold on, hold on
Running till the gold’s gone, gold’s gone

Out on the edge of on my own now
And they told me not to look down
And my heart is still the same
But in the mirror things have changed
How’d it happen?
It threw me off of my balance

I just wanna hold on
I’m scared of losing the moment
Running till the gold’s gone
The seasons change and I know it
I feel the time is slipping
And I already miss it
While I’m
Still holding light in my hands

I just wanna hold on, hold on
Running till the gold’s gone, gold’s gone

And I won’t be sleeping tonight
Oh my head’s too busy
Guess this is being alive
Tell myself to breathe
I know there’s silver linings
So I’ll hold on
Until the gold’s gone, gone

I just wanna hold on
I’m scared of losing the moment
Running til the gold’s gone
The seasons change and I know it
I feel the time is slipping
And I already miss it
While I’m
Still holding light in my hands

I just wanna hold on, hold on
Running till the gold’s gone, gold’s gone



Credits: Screen capture via YouTube.com / Freya Skye.

In Hellenistic Egypt more than 2,000 years ago, alchemists began their fabled quest to turn mercury into gold. Today, a California-based startup believes it may have finally cracked the code — using the power of nuclear fusion.



Marathon Fusion, a company developing next-generation fusion technology, has outlined a bold plan to create gold as a byproduct of clean energy generation. According to a newly released (and yet-to-be peer-reviewed) study, their reactor design could transmute mercury-198 — an abundant isotope — into gold-197, the stable form of the precious metal. (Gold and mercury happen to be next-door neighbors on the Periodic Table of Chemical Elements.)

The process takes place inside a tokamak fusion reactor, where ultra-hot plasma fuses hydrogen atoms to release vast amounts of energy. Typically, reactors are lined with lithium in what’s called a breeding blanket, designed to help generate tritium fuel.

But Marathon’s twist? Replace part of that blanket with a mercury-lithium alloy, which not only supports fusion fuel production but also absorbs high-energy neutrons. Those neutrons trigger a chain reaction that converts mercury-198 into unstable mercury-197, which decays into gold-197 within days.

In simulations, Marathon estimated that one gigawatt of fusion electricity could yield as much as 5,000 kilograms of gold. At today’s gold prices, that’s more than half a billion dollars in byproduct revenue, potentially doubling the economic viability of fusion plants.

There’s a catch, however: Freshly created gold atoms might carry trace radioactivity, requiring up to 18 years of “cooling time” before being deemed safe for commercial use. Still, the company argues that much of the world's gold sits in storage anyway, and delayed access won’t hinder its value in the long run.

Though still in the simulation phase, this proposal has captured the imagination of scientists and investors alike. If successful, it could reshape both the energy and precious metal industries of the future — replacing gold mines with clean fusion facilities, and turning modern science into the ultimate alchemy.

Credit: AI-generated image by The Jeweler Blog using ChatGPT and DALL-E 3.

NBA All-Star Tyrese Haliburton may have missed out on a championship ring this past season, but he made up for it with an unforgettable piece of jewelry — an oval-shaped diamond engagement ring for his longtime girlfriend, Jade Jones.



Just five weeks after undergoing surgery to repair a torn Achilles, the Indiana Pacers point guard proposed to his college sweetheart at the Hilton Coliseum, the basketball arena at Iowa State University where their love story began. The couple has been together since 2019, when Haliburton played for the Cyclones and Jones cheered on the sidelines.



Haliburton went all out for the moment, adorning the gym with glowing “WILL YOU MARRY ME” letters, red rose petals and floating candles before gingerly getting down on one knee.

A clunky medical boot and a mobility scooter can be seen in photos shared to Haliburton's Instagram page. The clutch player was a leading candidate for the NBA Finals MVP, but suffered a devastating torn Achilles in the first quarter of Game 7 against the Oklahoma Thunder.



Jones’s new 18-karat yellow gold engagement ring features a large oval-cut center diamond, flanked by smaller diamonds on the band and a hidden halo for added brilliance. The modern-meets-classic design has become a favorite among celebrity brides-to-be. The elongated oval shape flatters the finger, while its brilliance offers a high-carat look without overwhelming the hand.

Eagle-eyed fans noticed Jones was wearing a silicone ring adjuster in one closeup engagement photo posted to Instagram. The coil-style adjuster temporarily shrinks the band’s interior diameter and is often used when a ring needs resizing — something we suspect will happen once the excitement dies down.



Oval-shaped diamond rings are having a moment in Hollywood and with the general public. A recent study by The Knot revealed that, while round is still the most popular shape for a center stone (34%), the oval shape (preferred by 23%) has been trending up.

Despite his injury setback, Haliburton remains optimistic about the future, stating on Instagram, “Watch how I come back from this.”

And while he’ll sit out the 2025–2026 NBA season to recover, he and Jones will have plenty of time to plan a wedding.

Credits: Images via Instagram / Tyrese Haliburton.

Welcome to Music Friday, when we spotlight songs with jewelry, gemstones or precious metals in the title or lyrics. Today we revisit Vince Gill’s heartfelt 2016 ballad, “Like My Daddy Did,” a track that blends emotional storytelling with a sparkling symbol of commitment — a pretty diamond ring.



As Gill celebrates his 50th anniversary tour this summer — marking five decades since he first set out to become a professional musician — it’s the perfect moment to revisit a song that reflects his enduring artistry and deep emotional resonance. In “Like My Daddy Did,” Gill plays the part of a devoted suitor who proposes to the love of his life despite her painful childhood memories.

With his signature tenderness, he sings, “I found a little girl and I fell in love / She shines brighter than the stars above / I bought her a pretty diamond ring / Asked her if she would marry me.”

But the proposal is met with uncertainty. The woman is wary of love, carrying emotional scars from her father’s abandonment.

“Will you treat me like my daddy did?” she asks.

Her father walked out on her and her mother when she was just a child, leaving behind heartbreak and mistrust. Instead of recoiling, Gill’s character responds with understanding and grace. He gently contrasts her experience with his own, offering a reassuring vision of love modeled after his father — a man who was present, supportive and loving.

“I’ll treat you just like my daddy did / He took me fishin’ when I was a kid / When I played ball, he never missed a game,” Gill sings. “There ain’t no scars on this heart of mine.”

The song’s emotional core lies in this contrast — the “yin and yang” of two childhoods, as Gill described it. His character’s persistence and empathy eventually win her over, and the song concludes with a wedding and the hopeful promise of a new beginning: “Together we’re gonna build a bridge / No, I won’t treat ya like your daddy did.”

“Like My Daddy Did” was the fourth track on Down to My Last Bad Habit, Gill’s 14th studio album. With a career spanning 50 years, 22 Grammy Awards, 18 CMA Awards and more than 30 million albums sold, Gill remains one of country music’s most respected voices.

Born in Norman, Oklahoma, in 1957, Gill credits his own father — a part-time musician and full-time judge — with nurturing his passion for music. That influence shines brightly in this deeply personal song.

As Gill embarks on his 50th anniversary tour — which includes a four-night residency at Nashville’s famed Ryman Auditorium — fans can expect a celebration not only of his storied career but of the heartfelt storytelling that has made him a legend.

Please check out the video of Gill performing the acoustic version of “Like My Daddy Did.” The lyrics are below if you’d like to sing along…

“Like My Daddy Did”
Written and performed by Vince Gill.

I found a little girl and I fell in love
She shines brighter than the stars above
I bought her a pretty diamond ring
Asked her if she would marry me

She said, will you treat me like my daddy did
Left me and momma, I was just a kid
He took off runnin’, I never saw his face again
So, when it comes to love, I ain’t the trustin’ kind
There’s a whole lotta scars on this heart of mine
I’m crazy about ya, I’m not sure I can

I took that pretty girl by the hand
I looked her in her eyes and said I understand
There’s nothing you could tell me that would change a thing
I still want you to wear my ring

I’ll treat you just like my daddy did
He took me fishin’ when I was a kid
When I played ball, he never missed a game
So, when it comes to love, I’m the trusting kind
There ain’t no scars on this heart of mine
I’m crazy about ya, I’m pretty sure I can

Tomorrow morning is our wedding day
And all your fears are gonna fade away
Together we’re gonna build a bridge
No, I won’t treat ya like your daddy did
We’ll have the kind of love that’s the trustin' kind
I’ll give you ever piece of this heart of mine
We were meant to be, I’m pretty sure we can

I found a little girl and I fell in love
She shines brighter than the stars above



Credit: Photo by Derek Russell, CC BY-SA 2.0, via Wikimedia Commons.

For the first time in Olympic history, the Winter Games will be co-hosted by two cities— Milan and Cortina d’Ampezzo — an unprecedented collaboration beautifully reflected in the newly unveiled medals for the 2026 Milano Cortina Olympic and Paralympic Winter Games.



The medals feature a striking design of two interlocking halves, a bold metaphor for unity — not just between the urban sophistication of Milan and the alpine serenity of Cortina, but also between the athletes and the people who support them. The textured and smooth surfaces on either half symbolize this blend of contrast and cooperation: city and mountain, competitor and coach, Paralympic and Olympic values.



Developed by the design team of Milano Cortina 2026, the medals celebrate Italian creativity, elegance and sustainability. Raffaella Paniè, Brand and Identity Director for the Games, described the medals as a “return to essence,” highlighting strength in diversity and the universal story of struggle, support and triumph.

Each medal is handcrafted by the Istituto Poligrafico e Zecca dello Stato (IPZS), Italy’s state mint, using recycled metals from its own production stream and powered entirely by renewable energy. The medals are protected with an eco-friendly, recyclable finish and come in FSC (Forest Stewardship Council)-certified packaging.

Technically, the medals are impressive in their simplicity and symbolism. Measuring 80mm in diameter and 10mm thick, the gold medal weighs 506 grams (1.12 pounds) and consists of 99.9% silver coated in 6 grams of pure gold. The silver medal is made entirely of 99.9% silver and weighs 500 grams, while the bronze medal, made of copper, comes in at 420 grams.

A total of 735 medals — 245 of each type — will be awarded during 195 events at the Olympic Winter Games, scheduled for February 6–22, 2026. An additional 411 medals will be presented during the Paralympic Games, which follow from March 6–16.

The split design resonates far beyond geography. It reflects the journey of every athlete, supported by teammates, families and fans, each one forging their own half of a story that’s only complete when joined by those who stood behind them.

“These medals are much more than mere awards,” said Giovanni Malagò, President of the Milano Cortina 2026 Foundation. “They are the heartbeat of Italy... the reflection of a dream taking shape.”

Credits: Images courtesy of Fondazione Milano Cortina 2026.

At the height of its power, the Roman Empire stretched across 1.5 million square miles and governed more than 130 million people. Its armies conquered vast territories, its roads crisscrossed continents, and its laws and culture shaped the foundations of Western civilization. Yet, according to historians, one of the most colossal mistakes in Roman history involved something no larger than a modern dime: the denarius.



The denarius — a small silver coin introduced in 211 BCE — was the financial backbone of Rome for centuries. Worth roughly a day’s wages for a skilled worker, it fueled the empire’s trade, paid its soldiers and symbolized economic stability. But by the 3rd century AD, Rome faced a critical problem: it was running out of silver.

Silver mines, particularly in Spain, began to run dry during the reign of Emperor Claudius. Simultaneously, the empire’s appetite for luxury goods from the East created a trade imbalance that drained Rome’s silver reserves even further. Desperate for funds to pay for wars, massive construction projects and the growing military, Roman leaders devised a seemingly simple solution: debase the denarius.

By reducing the silver content of each coin while keeping its face value the same, emperors could mint more currency without finding new sources of precious metal. Initially, the denarius contained about 4.5 grams of pure silver. But under Emperor Marcus Aurelius, it dropped to 75% silver. By the time of Gallienus in the mid-3rd century, it held as little as 5% silver — sometimes less. A thin silver plating coated a mostly bronze core, and the shine quickly wore off, exposing the debasement to the public.

The consequences were catastrophic. Inflation skyrocketed. Prices rose by 1,000% between 200 and 265 AD. Soldiers, angry at receiving worthless pay, demanded higher wages and bonuses, often in gold. The empire struggled to meet these demands, forcing higher taxes on citizens, which fueled unrest.

As faith in Roman currency eroded, trade collapsed. Local economies abandoned imperial coins, returning to barter systems or creating their own currencies. The once-unified Roman economy fractured into isolated regions, cutting off the lifeblood of commerce.

This economic unraveling coincided with a period of severe political instability known as the Crisis of the Third Century. Over 50 emperors ruled in just 50 years, most meeting violent ends. Plague, invasion and civil war further weakened the empire.

By the time the Western Roman Empire officially fell in 476 AD, the debasement of the denarius was recognized as a key contributor to its downfall. In their quest to stretch a dwindling supply of silver, Roman leaders inadvertently undermined the very foundations of their empire — a cautionary tale of short-term fixes with long-term consequences.

Credit: AI-generated image by The Jeweler Blog using ChatGPT and DALL-E 3.

Perhaps the noble traveler tossed it into the moat in a fit of rage. Or maybe it slipped unnoticed from her silk-clad shoulder as she crossed the timber bridge. Whatever the reason, a 600-year-old aristocratic jewel has recently emerged from the muddy moat of Castle Kolno in Poland, offering modern archaeologists a glittering glimpse into medieval luxury, status and symbolism.



The remarkable find — a vibrant amethyst set in fire-gilded silver — was likely part of an ornate brooch or, less likely, a coronet. Its design features a cabochon amethyst cradled in a cone-shaped claw setting, surrounded by a delicate halo of openwork rays or palmette petals. Traces of lead solder and a silver pin on the back suggest it once adorned a larger piece of ceremonial jewelry.

While medieval jewels are usually unearthed in tombs or hidden hoards, this discovery stands out for its everyday context. Archaeologists from the University of Wrocław, led by Lech Marek and Beata Miazga, found the piece during excavations of Castle Kolno’s moat sediments, nestled between the remains of 14th-century timber bridge posts.

Built in the early 13th century, Castle Kolno once guarded a customs house on the border between the duchies of Opole and Brzeg. By the 15th century, it had become home to wealthy knights before being destroyed during Silesian civil wars in 1443.

To confirm the artifact’s composition, Marek’s team employed advanced technology, including Raman spectroscopy — a laser-based method that identifies minerals by analyzing their molecular vibrations. This confirmed the gemstone as amethyst.

The metal was analyzed using X-ray fluorescence and scanning electron microscopy, revealing it to be high-quality silver finished with fire gilding —a medieval technique that bonded gold to the surface using mercury, leaving a lustrous gold appearance while saving on costly materials.

The results of Marek and Miazga's study were published online July 11 in the journal Antiquity.

Amethysts held special meaning in the Middle Ages, beyond their aesthetic appeal. According to medieval folklore, they protected wearers from intoxication, venom, treason and even bad dreams. Their rich purple hue symbolized faith, modesty and martyrdom, while in religious and courtly circles, the stone’s mystical qualities were believed to bolster moral virtue and spiritual strength.

The jewel from Castle Kolno was undoubtedly a marker of elite status — what historians call an example of “conspicuous consumption.” Its presence in the moat raises tantalizing questions about how it came to be lost. Was it a simple accident, or a flash of ill temper? For now, the mystery remains as captivating as the jewel itself.

Credits: Images by Lech Marek; CC BY 4.0.

The Philadelphia Eagles capped off their historic 2024 season in grand fashion on Friday night, as players, coaches and staff received their Super Bowl LIX Championship Rings during a private ceremony in Philadelphia. Designed by Jason of Beverly Hills, the rings are a dazzling tribute to the Eagles’ 40-22 victory over the Kansas City Chiefs and the remarkable season that led them there. They're also the first championship rings with pop-out wings.



Weighing more than a quarter pound and measuring 1 1/2 inches across, the massive white gold rings feature a jaw-dropping 12 carats of diamonds and lab-created green sapphires. Beyond their impressive size, the rings' innovative design features and symbolism help set them apart from past championship bling.

For the first time in Super Bowl history, a championship ring includes a special button-activated mechanism that reveals a hidden message. By pressing the diamond-encrusted button at the top of the ring, two wings release from the bezel, displaying the inscription: "YOU CAN'T BE GREAT WITHOUT THE GREATNESS OF OTHERS." This quote from head coach Nick Sirianni served as a unifying mantra for the Eagles throughout their Super Bowl-winning campaign.

Each design element of the ring tells part of the Eagles’ championship story. The wings that open via the button are adorned with 0.9 carats of diamonds, symbolizing the Eagles’ six sacks and three takeaways in one of the most dominant defensive performances in Super Bowl history. The five diamonds on the button itself represent the five Eagles who scored in Super Bowl LIX: Jalen Hurts, A.J. Brown, DeVonta Smith, Cooper DeJean and kicker Jake Elliott.



On the face of the ring, the Eagles logo stands proudly in front of two Lombardi Trophies, representing the franchise’s two Super Bowl titles under owner Jeffrey Lurie. Surrounding the logo are 145 diamonds, commemorating the Eagles’ record-setting 145 playoff points. The phrase “WORLD CHAMPIONS” is spelled out with 40 diamonds, honoring the 40 points scored in the title game.



On the players' side of the ring, players' last names are featured with their jersey numbers, encrusted in diamonds, against the backdrop of Lincoln Financial Field, paying homage to the dedicated fan base.

On the team side of the ring, the Super Bowl LIX logo is centered between the Eagles wordmark and the score of 40-22 from the game. Ten points of diamonds in the Super Bowl LIX logo signify the Eagles' franchise-record 10-game winning streak in the regular season, which put the team on path for a historic run towards the Vince Lombardi Trophy.



Each player's unique signature is showcased on the bottom of the ring, while the inside of the ring highlights a Brazilian flag — a nod to the Eagles’ season-opening win in São Paulo, the NFL's first game in South America. The inside also lists the scores of all four playoff games and displays Sirianni’s core values: “TOUGH, DETAILED, TOGETHER.” The boxed number 145 is the combined point total for the team's four wins.

"Our Super Bowl LIX Championship Ring represents the commitment, determination and sacrifice of every member of our organization who helped deliver another World Championship for Eagles fans everywhere," said Jeffrey Lurie, Chairman and CEO, Philadelphia Eagles. "It will forever serve as a reminder of just how magical the 2024 season was for our organization and fans."

Credits: Images courtesy of Jason of Beverly Hills.

Welcome to Music Friday, our weekly feature that highlights songs with jewelry, gemstones or precious metals in the lyrics or title. Today, we’re revisiting Tracy Byrd’s 1997 hit, "Don’t Love Make a Diamond Shine," a country tune that reminds us it’s not the size or value of the diamond that matters — it’s the love behind it.



In this heartfelt track, Byrd introduces us to Tommy and Janey, a young couple shopping for an engagement ring. As they peer into the jewelry case, a modest diamond catches Tommy’s eye. For them, the moment is perfect — not because of the carat weight or price tag, but because of the commitment it symbolizes.

Byrd sings, “Mister bring it closer, mister can we hold it / I think it’s gonna fit just fine / As he slipped it on her hand, Janey kissed her man / Don’t love make a diamond shine?”

The song emphasizes that any diamond — whether massive or modest — radiates a special brilliance when it’s given in love. Byrd contrasts this with a wealthy couple whose 15-carat gem looks “duller than dirt” because their relationship is crumbling.

"Don’t Love Make a Diamond Shine" was written by hitmakers Mike Dekle and Craig Wiseman. It was released as the third single from Byrd’s fourth studio album, Big Love, which became his third gold-certified record. The song reached #17 on the US Billboard Country Songs chart and climbed to #13 on Canada’s Country Tracks chart.

Born in Vidor, TX, Byrd got his start in music while attending Southwest Texas State University. After impressing a recording studio owner with a rendition of Hank Williams’ "Your Cheatin' Heart," Byrd found himself entered into a local talent competition. That contest eventually led to a recording contract with MCA Records in 1992.

Since then, Byrd has become one of country music’s most recognizable voices, charting 33 singles, including #1 Country hits "Holdin’ Heaven" and "Ten Rounds with Jose Cuervo." His catalog also features favorites, such as "Watermelon Crawl" and "The Truth About Men." Byrd has released 10 studio albums and continues to tour extensively.

Fans can catch him live in 2025 at venues across the U.S., including stops in New York, Oklahoma, Texas, Washington, Kansas, Iowa, Colorado and Nevada.

Be sure to check out the audio track of Byrd’s "Don’t Love Make a Diamond Shine." The lyrics are below if you’d like to sing along!

“Don’t Love Make A Diamond Shine”
Written by Craig Wiseman and Mike Dekle. Performed by Tracy Byrd.

Tommy and Janey barely 18
Holding hands at the jewelry store
Eyes open wide staring inside
At the ring that they wanted for her

Mister bring it closer, mister can we hold it
I think it’s gonna fit just fine
As he slipped it on her hand, Janey kissed her man
Don’t love make a diamond shine?

Don’t love make a diamond shine?
It don’t matter if it costs a dime
Dang thing looks like a million bucks
Sittin’ on the hand of a girl in love.

A perfect 15 carat is duller than dirt
If the heart don’t wear it
With three little words it’ll knock you blind
Don’t love make a diamond shine?

There’s a rich lady with a new Mercedes
Livin’ up in a highrise
She’s got a big ol’ rock on her left hand
That looks cheaper than a Cracker Jack prize.

‘Cause her man don’t know that it ain’t the dough
No all he needs to spend is time
And that big marquis’d be a laser beam
Don’t love make a diamond shine?

Don’t love make a diamond shine?
It don’t matter if it costs a dime
Dang thing looks like a million bucks
Sittin’ on the hand of a girl in love.

A perfect 15 carat is duller than dirt
If the heart don’t wear it
With three little words it’ll knock you blind
Don’t love make a diamond shine?

Don’t love make a diamond shine?
It don’t matter if it costs a dime
Dang thing looks like a million bucks
Sittin’ on the hand of a girl in love.

A perfect 15 carat is duller than dirt
If the heart don’t wear it
With three little words it’ll knock you blind
Don’t love make a diamond shine?

Don’t love make a diamond shine?



Credit: Photo by Republic Country Club, CC BY 2.0, via Wikimedia Commons.

On July 13 at MetLife Stadium in New Jersey, Chelsea Football Club made history as the first team to hoist the newly designed FIFA Club World Cup Trophy — a spectacular 24-karat gold-plated creation designed by FIFA and crafted in collaboration with global luxury jeweler Tiffany & Co. Chelsea’s 3-0 victory over Paris Saint-Germain in the final capped an epic month-long tournament and ushered in a new era for international club soccer.



The 2025 edition of the FIFA Club World Cup was the first to feature 32 teams, prompting FIFA to commission a trophy that matched the event’s expanded scale and ambition. Tiffany & Co., with its 160-year legacy of crafting some of the world’s most iconic sports trophies, rose to the challenge. The result is a groundbreaking design that merges artistry, history and advanced technology.

The trophy stands approximately 17.3 inches tall (44 centimeters) and weighs nearly 11 pounds (5 kilograms). Crafted from a blend of sterling silver and 18-karat gold with a 24-karat gold-plated finish, the trophy reflects both durability and prestige.

Its most innovative feature is a transformable design that allows the trophy to shift from a shield-like form into a multifaceted, orbital structure — a nod to space exploration and the global nature of the sport.

Inspired by the Voyager Golden Records sent into space in the 1970s, the trophy is inscribed with the names of all 211 FIFA member nations and the six continental confederations. Additional engravings appear in 13 languages and Braille, reinforcing the tournament’s spirit of inclusivity. Celestial symbols mark the positions of the planets at key historical moments in the organization's history: FIFA’s founding on May 21, 1904, and the opening match of the 2025 Club World Cup in Miami.

The intricate craftsmanship took months to complete and combined precision mechanics with the expertise of Swiss watchmaking. Tiffany & Co. President and CEO Anthony Ledru called the trophy “the next chapter in our long history of creating the world’s most revered symbols of athletic achievement.”

The following message to the current and future champions is engraved on the trophy: “To those who hold this trophy, history belongs to you! You are witness to a moment in time that represents the pinnacle of club football, bestowed upon few but celebrated by many.”

Each Club World Cup championship team will get to keep a replica trophy featuring an engraving of the club's emblem and the year of the triumph. The original trophy, estimated to be worth $250,000, will reside at FIFA's New York headquarters.

Credit: Image courtesy of FIFA.